I'd Buy That For A Dollar

Bob Bucko Jr makes his comeback to the podcast with the 1979 comeback album from English singer Marianne Faithfull. A far cry from her Sixties recordings, this album's defiant tone and futuristic sound made it a critical and commercial success, yet its impact has largely been lost to time.  

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Guest Bevan Bell brings us an album from Brazilian keyboardist, composer and arranger Eumir Deodato. As we listen to the jazz-funk instrumentals on this record, we talk about everything from Deodato's early bossa nova days to his production work with Kool & the Gang and his familial ties with Justin Bieber.  

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Australian correspondent Melonie Bayl-Smith returns to the show to provide some context for a big hit album by Little River Band. We discover just how differently this record was marketed to U.S. audiences and also touch on the various legal disputes which have resulted in a completely new lineup still performing as LRB.  

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Co-host Sean introduces us to the work of Seventies country rock singer Robert Thomas Velline, who turns out to be former Sixties teen idol Bobby Vee. As we listen, we look closer at his career arc and find out that this album—while certainly unique in his catalog—isn't quite the anomaly it initially appears to be.  

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The prime directives for this podcast are: serve the public, protect the innocent, and uphold the greatest film ever made—RoboCop, director Paul Verhoeven's 1987 masterpiece. Guest Mark Weathersby joins us as we finally reveal the true purpose of I'd Buy That For A Dollar. 

DJ Lola Kinks returns with the debut from former bargain bin artist Rick Astley. We discuss his unusual career revival and how he embraced it, as well as the initial success of many other songs from the album that has become overshadowed by Rick's internet popularity.  

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On this extra special Patreon bonus episode, we visit Steven Krakow aka Plastic Crimewave at his home in Chicago to spin a 45 by Windy City garage-psych band the Cryan' Shames.  

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Guest Christian Petersen shows us the experimental side of '70s soft-rock stalwarts America. This third album did not make much impact upon release and is still often overlooked in the band's catalog. Therefore we present a few reasons to give it a spin.  

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We are joined by guest Malk to discuss Swiss electroacoustic harpist Andreas Vollenweider. A pioneering figure in New Age music, we discuss Andreas' innovations and accomplishments, as well as his continued work in music and beyond. 

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Journalist, podcaster and radio host Rico Gagliano is our guest as we spin the debut solo album from new wave musician Adam Ant. We explore how Adam developed his unique musical and visual style, the commercial success he achieved, and other pursuits such as his acting career.  

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